The world premiere of Park Chan-wook's 'No Other Choice' was held at Venice's Sala Grande, where the film earned a 6-8 minute standing ovation. Official festival listings place the title in the Venezia 82 Competition slate, underscoring its early Golden Lion ambitions from the first public screening.
Critics weigh in
Trade coverage spotlighted the film's unpredictability and Lee Byung-hun's surprising flair for slapstick within a jet‑black comedic register, with some calling it among the festival's most exuberantly received premieres to date. Detailed assessments emphasized Park's balance of menace and mordant wit, noting a propulsive first half and a carefully engineered tonal control that invites discovery with minimal prereading.
Story, source, and ensemble
Loosely adapted from Donald E. Westlake's 'The Ax,' the narrative tracks Man-su, a paper‑company veteran cut loose after 25 years, whose increasingly desperate reemployment quest hardens into drastic measures amidst a tightening labor market. The cast unites Lee Byung-hun, Son Ye-jin, Park Hee-soon, Lee Sung-min, Yeom Hye-ran, Cha Seung-won, and Yoo Yeon-seok, consolidating marquee talent under Park's precision-tooled direction across 139 minutes.
Themes and festival road
Press briefings framed the project as two decades in the making, with Park foregrounding job insecurity's sharpened relevance in an era marked by automation and AI, a lens that darkens the satire's moral calculus. Post‑Venice plans chart a high-visibility festival path, including Busan's opening‑night berth and North American exposure via Toronto and New York, backed by distribution from Neon (North America) and Mubi across key international territories.